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9 hours ago, wikeeboy said:

Thanks for thinking of me @andyr !

 

Problem is that i'm working from a complete blank sheet and need to hone down what cart will best suit my tt/tonearm/phono and music style....... oh and that annoying little thing called your budget :) Should be straight forward eh?

 

I hear great things about Lyra, but it's only one of many and i'm right at the start of my selection phase.

Anyway, my Lyra Kleos may still be a couple of months from returning to Australia as a "new" cartridge (takes forever for Lyra to hand-rebuild these things). At $4.5K instead of $6K, maybe the Kleos will allow you to budget the other parts of the system differently, if it turns out that the Kleos hits your sweet spot for performance. In my limited experience, at $6000 it is the most detailed cartridge in its price range while not sounding analytical or sterile in any way. The Kleos loses out to much more expensive Lyra cartridges especially with their amazing bass which just seems limitless, but there aren't many other cartridges out there at any price which present the music in as compelling a way as the Kleos.

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20 minutes ago, metal beat said:

 

That is no good Peter.  Hopefully the hassles r over.

  Sounding as good as the Kuzma Stabi?

Shane it sounds a lot better than the Kuzma. It really is a great sounding deck. This one had the full treatment from True Point Audio in the UK. 
 

The arm did not come from True Point. 
 

The arm that came with it is off with Mark Döhmann getting the full treatment. 

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2 minutes ago, PKay said:

Shane it sounds a lot better than the Kuzma. It really is a great sounding deck. This one had the full treatment from True Point Audio in the UK. 

True Point did not supply the arm that was some other bloke in the UK. 
 

The arm that came with it is off with Mark Döhmann getting the full treatment. 

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Edited by PKay
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16 minutes ago, charles hidalgo said:

Lenco PTP build... 65 pounds of analog goodness. She’s in the room now and will be fitted with a Fidelity Research arm this week. Three extra arm boards also for easy change out of tonearms. 

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Stunning plinth indeed! Pure craftsmanship. ?

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PTP Solid 9 has just arrived today, set up with Rega RB808 and Ortofon Cadenza Bronze. I had been planning to use my Audio Origami PU7 on it but unfortunately the armboard is drilled incorrectly.

 

Nevertheless, first impressions are very positive.

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14 minutes ago, Warren Jones said:

Finished this today. The one on the left... a heavily modified SP10mk2 and EPA100

 

SP10mk2 Signature. Sounds absolutely amazing.

 

IMG_20210216_122920210.thumb.jpg.31722a2f37b7803b09ab8405d2d37146.jpgIMG_20210216_124317087.thumb.jpg.ecc3caad977213707f1483ec189b8cbf.jpg

 

  great work Warren!!   looks superb.

 

  How do the two tables sound compared to each other - very different toinearms.

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When the Left SP10 was in its chassis the Linear tracker whipped it good. With the modifications the roles are reversed. The LTA still does better with click and pops, but the noise floor between them now is too close to call. The SP10 Signature has far greater detail. My setup is similar to a friends (except his has a Stainless/Delrin platter) and his mk2 out performs his SP10R, it's that good.

 

I have a new servo driven Linear to go on the Signature still in the works.

 

SP10 mods are

Resin Bentonite plinth

Remote electronics

Modified motor rotor to increase rigidity, other damping mods coming

Motor redrilled for 3 mounting bolts.

Bearing brace

Gunmetal Delrin platter from the other SP10. I have another GM/Delrin platter in the works with thicker Delrin.

 

EPA100

New brass CW stub

Stainless CW on threaded stub with locking collar

Fluid damping trough.

Edited by Warren Jones
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14 minutes ago, Warren Jones said:

When the Left SP10 was in its chassis the Linear tracker whipped it good. With the modifications the roles are reversed. The LTA still does better with click and pops, but the noise floor between them now is too close to call. The SP10 Signature has far greater detail. My setup is similar to a friends (except his has a Stainless/Delrin platter) and his mk2 out performs his SP10R, it's that good.

 

I have a new servo driven Linear to go on the Signature still in the works.

 

SP10 mods are

Resin Bentonite plinth

Remote electronics

Modified motor rotor to increase rigidity, other damping mods coming

Bearing brace

Gunmetal Delrin platter from the other SP10. I have another GM/Delrin platter in the works with thicker Delrin.

 

EPA100

New brass CW stub

Stainless CW on threaded stub with locking collar

Fluid damping trough.

 

very nice.  pity you are not in Sydney.  would be great for you to have a tinker with my SP10 mk3, just to get the strobe light working for a start :)

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  • 2 weeks later...

Have not posted on this thread for a while, so I thought I would share my latest WIP project.

Linn Sondek LP12 from the 70s with a Hadcock GH228 arm and Shure V15 type III cart.

 

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1 hour ago, Batty said:

 

Have not posted on this thread for a while, so I thought I would share my latest WIP project.

Linn Sondek LP12 from the 70s with a Hadcock GH228 arm and Shure V15 type III cart.

 

IMG_0073.thumb.JPG.76936902f955b655decd25a7c9a38ea4.JPG

 

 

 

Lovely!  :thumb:  Great arm, too.

 

But no mat?

 

And, if it's truly '1970s' ... there's lots of ways to make it sound better.  :)

 

Andy

 

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New to the collection, this black beauty was made around the time when the first Star Wars was released in 1977. The table is nicknamed "Darth Vader" and you can see why.

 

Micro Seiki had some design aspects in this table.

 

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Edited by Sansui77
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