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  1. Since our house was first built 17 years ago, the theatre has had a 110” screen. At the time of the build we also had it decked out with cabinetry – it was the done thing. Back then, some were still installing 4:3 screens and a 110” 16x9 screen was close to the limit of what many projectors could achieve . While the screen size seemed perfect for 16x9 content, movies in Cinemascope ( most of them) were reduced by the letterbox bars that are inevitable in this type of setup. My aim with the screen upgrade was to keep the 16x9 images at what they previously were and gain some dramatic improvement with movies. I settled on a 140” Oz Theatre screen . The screen was just part of major upgrade which included painting all the walls and ceiling , upgraded electronics and the most amazing centre speaker. Centre Speaker is Dynaudio Evidence with RRP of $39K which I managed to buy secondhand. It is designed as floor standing centre speaker - I tried it with conventional stands but the factory designed approach gives the best results. Sound wise this thing is nothing short of incredible . Its resolution, soundstage, imaging and bass completely lifts the whole system. It blends in seamlessly with the rest of the system . The fronts are Aurum Cantus Grand Supremes . They also project a large soundstage and have excellent imaging . It is amazing what flock coating acoustic treatments can do to the WAF. Moving to a Dolby Atmos /DTS-X system meant 4 new ceiling speakers. I settled on Polk Audio 70-RT from USA ( cheaper than buying locally) To drive the ceiling speakers I thought I would try a low cost option direct from China from a company called Wentins. I saw these at the Ghanzhou AV show a few years ago and they sounded great so I thought it couldn't hurt trying one out. I bought a relatively cheap 5 channel @ 200 Watts per channel. These guys make a huge range and will custom make high power amps to your specs. I had been using the original NAD Master series M25 for the system previously but after trying out the Wentins, it was clear it was doing things nicer than the mighty M25. It had all the speed of the M25 but with a richer timbre and superior dynamics and bass. This got me thinking, if one of their cheapest amps sounded this good, how good would one of their better ones be? I decided to relegate the M25 to ceiling speaker duties, use the Wentins multichannel amp for surrounds and rear surrounds , and ordered hifi monoblocks direct from the factory. These amps are fully balanced and produce 225 WPC into 8 ohms and 450 into 4 ohms. ( all speakers are 4 ohms in this system). They were still well priced but being hifi amplifiers, they did not have a 12v trigger which I have since added. The L&W brand is part of the Wentins group. These allowed me to run balanced XLR cables to each amp and I'm more than happy with the result.
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