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About Snrub

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  1. I'm one of those individuals that had a Klein III with PSU and sold it on. I wish I hadn't. It was part of a system that wasn't getting any use. I wanted stuff I would use, so I sold the Klein to raise funds for that. Now I'm in a situation where it would have a use again. I can't compare it to a Topping D50, but I did have a D30 as part of my head-fi system early on. I never owned both at the same time, therefore haven't A/B compared, but from memory the Klein was by far the better DAC, all around.
  2. Item: Dynaudio Xeo 6 + Xeo Hub Location: West Wyalong, NSW Price: $2100 Item Condition: Good condition, some marking on Xeo Hub Reason for selling: Not getting as much use out of them as expected, and they are too large for the room I have them in. Payment Method: Pickup - Cash, Paypal, COD Only Extra Info: I'm considering parting with my Dynaudio Xeo 6 speakers and accompanying Xeo Hub, as they're spending far too much time not being used. This is a fully contained system with active speakers wirelessly connected to the Xeo Hub, which handles both analogue and digital inputs. I don't have anywhere near enough experience to describe the speakers properly, I can just say they sound damn good to me. I spend a much larger amount of time in front of my PC, so use headphones often and am using a near field set up instead of dedicated speakers in a separate room. I'm able to transport the speakers to Sydney as I travel there frequently, or elsewhere if you're not too far out of the way. Postage options are limited at best as I live in a pretty rural area, nearest pack and send is 1h45m away. If you're interested please send me a PM and we can hopefully work something out. For reference, Addicted to Audio has their demo set going for $4299 so I think this is a pretty good price. https://addictedtoaudio.com.au/products/dynaudio-xeo-6-wireless-floorstanding-speakers-includes-dynaudio-hub Find the product page here: https://www.dynaudio.com/home-audio/xeo/xeo-6 Pictures:
  3. My experience is solely limited to how the Taurus paired with the LCD2C, but to me I found it just sounded a bit tighter all over. From what I've read, even though most sensitive planars don't technically need high outputs, the extra juice just helps everything become a bit more coherent.
  4. The Taurus is a wonderful HP amp. I ran Audeze LCD2C's from mine, and found the balanced output the sweeter of the two. If you come across a balanced cable for the Ether 2, I recommend giving it a try.
  5. It certainly looks a bit suspicious. I'm a bit sad, I was looking forward to giving it a run. Now I'm in a similar boat to you, looking for something else in the same price range.
  6. Might be for the best that they can't get you a DX7 Pro. I was very excited when mine arrived early. Went to set it up and it was dead. Zero power on at all. The solution when I contacted the seller? Take the board out myself and remove one of the resistors with a soldering iron. Because this has apparently happened to a few people. I opted for a return.
  7. This is also brilliant advice. The headphones themselves will always be the biggest factor in the sound you're hearing. But I would advocate that if you have a good source and amplification to start with, if you decide you want more later on, new headphones are all you need, rather than having to worry about upgrading other equipment to suit. However, I will admit there are those whose experience is that any basic DAC/amp is all you need, and after that you're facing incremental gains for large outlay.
  8. At the moment I'm using some Presonus R65 monitors, mostly because I saw them at a decent price here on SNA, and I wanted something with a ribbon tweeter cause I thought they were cool. I don't use them for mixing at all, just listening, which I find very enjoyable. That said, I've been recently eyeing off a pair of iLoud MTM monitors, because my desk positioning isn't the greatest, and the inbuilt DSP is meant to be fantastic. Probably completely unnecessary, but I want them anyway. Edit: I picked mine up from Amazon, with an estimated arrival from 16 Dec/3 Jan. Seems shipping times are a bit longer now. No other way to pick one up as far as I know.
  9. Hi mate, it sounds like your set up needs are very similar to mine. I used to have a full head-fi setup at my desk but found I wasn't using it a huge amount for the casual stuff I was doing at my PC, and it was a bit overkill for PC gaming, so sold if off. I then realised I missed decent sound, and picked up an Audeze Mobius when I found one at a decent price ($500ish from Mightyape if I recall). It's been pretty great so far, no complaints at all aside from bluetooth lag when using it wirelessly. For anything that requires sound sync (movies/games) I have to use it wired. Slight inconvenience but otherwise fantastic for purpose as it removes the need for separates and has a convenient microphone, as opposed to having to attach a modmic to a set of headphones. I've also been using a set of active monitors more and more lately, which I've been driving through a Dragonfly Black connected to my phone, using the phone as a Roon endpoint. I got stung by Black Friday and ordered a Topping DX7 Pro on a whim to replace that set up, as it seemed like the best value all in one box I could get, and it measured well on ASR. Have had Topping products in the past and haven't had any issues. Headphone amp is a bit redundant as the Mobius doesn't really need it (but does have an analogue input, so can always see if it improves with a decent outboard amp/dac). It's also always there if I get tempted by another set of full size cans (likely). If you were to go for a similar set up, you could pick up something like an SMSL M500 and a the Mobius for under $1k without a hassle. Could use the M500 for the active monitors, and the Mobius for basic PC stuff and gaming. The M500 DAC/AMP section seems like it would be suitable if you do fall down the rabbit-hole and go for a decent set of headphones, with the exception of any stupidly hard to drive cans. Could always splash a bit more for a DX7S/DX7 Pro if you were concerned about the power output.
  10. I got my pair to test around the same time I was getting through Fear Inoculum and second everything you said. Both Pneuma and Invincible got a lot of play time when I was giving the Audioflys a run, and they sounded amazing.
  11. Audiofly AF180 MK2 Review Introduction I'm a bit of a sucker for trying new things whenever I get the chance. So, when I stumbled across a post in the StereoNET forums by Audiofly asking for reviewers, I jumped on the opportunity. I fired an email through and to my great pleasure, received a reply offering to send me the AF180 MK2 IEM. The headphones were sent to me in exchange for my honest opinion, and were returned to Audiofly once the review process was completed. Background Audiofly is a Western Australia based designer of both consumer grade headphones and professional in ear monitors. The MK2 range of their professional series includes models featuring single dynamic drivers, hybrid dynamic/balanced armature setups, and multiple balanced armature IEM’s. Audiofly states that the range is designed with musicians and audio professionals in mind, but there's plenty here for any audiophile with an interest in neutral, reference sound as well. And me? I’ve only recently fallen into IEM’s, but I have a penchant for researching and trying everything I can get my mitts on before I commit to something, and through that process have spent days in stores trying as many IEM’s as I could before settling on my preferred Campfire Andromedas. I’ve also owned IEM’s including the Final Audio E4000, Ultrasone iQ and iBasso IT-03. My preferences lean towards neutrality and detail in sound. Specifications The AF180 MK2 that I am reviewing is one of the flagship models in their professional series. The AF180 MK2 features four balanced armature drivers, with two dedicated drivers for bass response, one for mid frequencies, and one for treble. An electronic crossover dishes out the relevant notes to the responsible drivers, with a physical frequency divider handling the acoustics as sound travels from the IEM. Frequency response is stated as 15Hz – 25kHz. Sensitivity is given as 104dB at 1kHz, with an impedance of 16ohms. If you read this review and like what I’ve described, a pair of the AF180 MK2 will cost you $649.99 AUD, and can be purchased directly from the website at audiofly.com or from retailers listed therein. Inclusions Unboxing the AF180 MK2, you’re greeted with the IEM shells themselves, connected to the included 1.2m long braided cable. The remaining accessories are encased in a very rugged, large plastic case with a brushed aluminium plate stating the model name and features. Inside the case are the included ear tips, which are various sizes of comply foams, triple flange silicon, and silicon bud tips. You also receive a 3.5mm to 6.3mm adapter, an airline adapter and a cleaning tool. Initial Impressions On unboxing the headphones, I was impressed by the presentation and inclusions given with the AF180 MK2. The included case is very pelican-like in its presentation and construction. It looks sturdy and well-constructed, and though it never was put through any rough-stuff I have no reason to believe it wouldn’t tolerate wear and tear without a hassle. The inside of the case is lined with a faux fur type material to provide some cushioning for everything stored inside. My only gripe with the case would be the size, as it’s definitely too large to be placed in a pocket and carried that way. If you were using the AF180 MK2 as a portable IEM, you would either need an alternate case, or a bag or backpack to place the case in when not in use. The variety of included ear tips is definitely a positive, there’s something for everyone in between the foam Comply tips, the triple flange tips or basic silicon buds. The included cable is a decent length at 1.2m, which feels long enough for day to day use without being unwieldy. The construction of the cable is braided Cordura, which feels very durable and does a very good job minimising any cable microphonics. Comfort and Fit I have to applaud Audiofly in regards to the construction and comfort of the AF180 MK2. They are by far the most comfortable IEM’s I have ever used or sampled, by a decent margin. It starts to become apparent after a few hours that the Audiofly IEM’s are geared towards professional musicians and designed for long term listening. I had absolutely zero fatigue due to the fit, with no hot points, no discomfort whatsoever. I could (and did) listen for hours on end with no comfort issues whatsoever. The slight tear drop shape sits very nicely in the ear, and the plastic construction means the IEM is very lightweight. Ear tip wise, I used both the comply foams and triple flange tips with good seals on both. I found the triple flange tips to be slightly more comfortable, especially with a slightly shallow insertion. The deciding factor between the tips was not so much the comfort factor however, but more slight changes to the sound signature which I’ll cover later. Sound Onto the fun bit! I spent a decent amount of time listening to the AF180 MK2 in a variety of environments – at home, at work and out and about. The below impressions are using a Sony ZX-2 as a source, with a wide range of songs played through Tidal. I’ll include a list of some examples in notes at the end of this review. All listening impressions are from using the triple flange tips, except where mentioned. Overall impressions are of a very neutral, balanced sound, with a very slight emphasis on some of the bass frequencies. This is definitely not a coloured IEM, leaning more towards a detail oriented, reference style tuning. Bass Bass response is what I would describe in my experience as very typical for multiple balanced armature IEMs. The bass sound is characterised by very snappy attack and decay, with an even-handed approach to delivering bass notes. The reach may not be as deep as IEM’s with dynamic driver set ups or dedicated dynamic drivers for bass notes, and there is a lack of sub-bass rumble and slam. The upside to this more restrained tuning is the bass does not bleed into the upper ranges at all, providing a very clear transition between bass, mid-bass and mids. The bass response for electronica and other genres with more artificial low bass notes can sound a bit on the thin side. While the bass is still there and can be heard, it does lack some of the physicality attached to those really deep, rumbling notes. I did find that using the comply foams increased the quantity of bass, but this was at the cost of some bleed into the higher frequencies. I felt this affected my enjoyment of the entirety of the sound, so stuck with the triple flange tips which provided a slightly clearer, more balanced sound. Mids The mid-range notes delivered by the AF180 MK2 were a real highlight for me when reviewing these IEM’s. It may sound odd, but this has little to do with the delivery of the mid frequencies themselves (which was perfectly adequate) but more so to the separation the AF180 MK2 provides between the bass, mids and treble. This allows for a high level of clarity in the mid ranges, which gives a clear stage for vocals and guitar to shine. I really enjoyed the AF180 MK2 with some more complex, busy passages of music because of this. I’m a huge fan of The Dillinger Escape plan, and some of their more chaotic arrangements shone while listening on the AF180 MK2. Treble You may be able to predict what I’ll write about the treble, given the pattern so far of a very even, clear response along the frequency ranges of the AF180 MK2. This pattern does continue; however, I would like to say the treble frequencies do sound ever so slightly recessed when compared to the mid and bass, providing a very non-fatiguing and sibilance free sound. The frequency response graph does show some slight peaks around 6kHz and 9kHz, but I never found these to be pronounced enough to overwhelm other frequencies in the mix. The treble response is adequate enough to provide detail while never sounding splashy or harsh. Soundstage and Separation Being an IEM designed for professional musicians and audio professionals, this is where I expected the AF180 MK2 to do a brilliant job, and I wasn’t disappointed. Instrument separation and imaging is fantastic, providing a great amount of detail and clarity. For listeners who like to dial in their attention on the particulars of music, they would be well served here. As mentioned above, I do enjoy some music that has quite a lot going on at times, and the AF180 MK2’s instrument separation was surprising in how well it kept up. The soundstage I would describe as adequate, with an impressive level of width and height, slightly hamstrung by a lack of depth. The soundstage falls short of being holographic and doesn’t quite provide the feeling that sound is coming from outside the head, but allows enough staging to avoid any feeling of congestion in the mix. It’s by no means a negative aspect of the sound, it just falls short in comparison to the excellence of the instrument separation. Overall Finishing up, I came away very impressed with the AF180 MK2 after my time with it. Highlights were most definitely the neutral, clear tuning, and the instrument separation. While I wouldn’t call these the most exciting or musical IEM’s out there, they definitely hit their target when it comes to providing detail and clarity, representing music as close as possible to how the artist intended. If you’re the type of listener that likes to pay attention to the finer details when listening, you would be very well served here. I also have to repeat just how comfortable the AF180 MK2 felt to me. The shape, weight and nozzle angle all felt absolutely spot on, to the point they just disappeared once inserted. For anyone who either spends a long time with IEM’s in, or struggles to find a comfortable shell shape, these would be at the top of the list for comfort. Notes To provide a bit of a reference, please find below a listing of some of the songs I listened to when evaluating the IEM’s, in no particular order: John Murphy – In the House in a Heartbeat Gojira – Flying Whales TOOL – Invincible Avicii – For a Better Day Darkstar – Aidys Girl’s a Computer Porter Robinson – Divinity Dream Theater – At Wit’s End The Cat Empire – Fishies Lorn – Anvil The Dillinger Escape Plan – Honeysuckle SAFIA – External Massive Attack – Paradise Circus Glass Animals – Life Itself
  12. Another decent price on a very good piece of equipment, with the caveat that it's from drop.com https://drop.com/buy/topping-dx7s#overview From Drop it comes to $522 AUD + any shipping. Closest price from elsewhere I could find was around 620 from Amazon AU. If you're after an all-in-one solution for a headphone setup this is a decent option.
  13. Item: Auralic Aries Mini with Auralic LPSU Location: West Wyalong (Rural NSW) Price: $600 Item Condition: Very good Reason for selling: No longer required Payment Method: Pickup - Cash, Paypal, COD Only Extra Info: No longer require this and as such am moving it on. Postage will most likely be required, still have the original box and packaging it was shipped to me with which was perfect. Can deliver within reason to Sydney/surrounds if you're willing to wait for my next trip in. Photos: Please see previous sellers post here. Will upload new pictures on returning home, but item has been in a smoke free, pet free environment. Haven't touched it aside from switching on/off the power supply.
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