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Showing content with the highest reputation on 28/06/18 in Posts
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9 points
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The system ATM mix of solid state and tube while the long wait of full tube horn system is on the way.Both systems will be used .To use a car analogy....The Vaf and Vitus will be my everyday BMW and in the background the Horns Linemagnetic Tubes system will be my 56 Chev.8 points
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8 points
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6 points
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Is it a Mayware (British copy), or a genuine JH (John Harband) Formula 4 (Australian original)? As far as I know, the Mayware was never sold here, for obvious reasons (higher cost, heavier, shorter etc). It looks more like a JH to me - no front sliding weight like that on the Mayware, and the JH anti-skating bucket for the lead weights. The JH was also longer and lighter - 246mm pivot to stylus, versus 224mm. It annoys me that (I assume younger) Australians think the Formula 4's a British design, when it's an Australian one! The differences include: JH: anti-skating weight is a bucket to hold small lead weights, and it has no front sliding weight, the headshell is a 'skeletal' plastic affair which doesn't cover most of the cartridge body, first sold in early-1970's (1973?). Mayware: various anti-skating weights depending on the version, but no bucket, much larger headshell which covers most (usually all) of the cartridge body, front sliding weight (which made it heavier, despite being shorter), first sold (Britain) in mid-70's (1975 or 76). Why they copied the name as well is a mystery...crazy! John Harband had the JH Formula 4 made in Japan to his design by Risui MiTo, but his next tonearm design, a gimbal tonearm called the Audiolab, he manufactured at his turntable factory in Melbourne (Chadstone). Harband eventually (1981) sold the Formula 4 design to Sonus, who arranged with Mayware for Mayware to stop using the name Formula 4 they'd 'borrowed' from JH (the front sliding weight they 'borrowed' off Decca). The Mayware Formula 4 MkIII became the Mayware MkIII, with the next version being the MkIV, followed by the Formula 5. Apparently a long-dead American hi-fi magazine of the 1970's compared the JH and Mayware, and found the JH superior in sound quality, because the front weight on the Mayware vibrated badly. Australian ingenuity wins again! John Harband died in 2014 in Melbourne, at the age of 100, having escaped from Nazi-occupied Vienna in 1939 (he was a Jew), just prior to the war. Regards, Don6 points
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Well in the interest of warts and all DIY, the vacuum pump without the warmer temperature was a bust. Because I couldn't run both the vacuum pump and heater, the horn was patchy, soft (quite flexible even once cured) and unusable. It was all the thinks I didn't want at the time but the soft part I will revisit in another attempt. So all that said, I declared it a success and made 2 more! This time, no vacuum pump and I used the heat lamps in my spray booth to cure it once the carbon fibre was layed up. No vacuum pump means air bubbles in the finish. But the heat lamps have made it exceptionally rigid. Just what I was after. Paper tearing began last night. If I get time, I'll start laying it up on Saturday.5 points
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5 points
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4 points
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4 points
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4 points
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If you're gonna collect speakers I have to say magnaplanars are awesome, stick them back in a box and slide them under the bed.....? Out of sight out of mind! They sound impressive too, as magnaplanars do! You can use them as privacy partititions.....?4 points
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Here are some of my favourite shots from the airshow last year? Year before? Bloody hell... RECENT! It was the first time ever shooting planes, and also first time ever using this particular lens which I hired, a Sony 70-200mm G Master f4. So it was a huge and pressurised learning curve if I wanted to get good shots. Suffice to say, I'm proud of these photos, probably my favourite so far. All on a Sony a6000 and processed in Lightroom. I fell in love with that lens, but I gave it back because I know it's big sister was around the corner, the f1.8. When that came out I just couldn't justify the price. a $5000 lens on a $600 camera body??? LOL! So I'll wait a bit more and get the f4 second hand some day.4 points
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This post cannot be displayed because it is in a forum which requires at least 10 posts to view.
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Yep. I have collections of speakers - and film cameras - and model cars and trains. Plus of course radios, books, LPs, CDs … and still married!3 points
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3 points
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Fair enough. Less painful then sharing with a wife. Also DIY speakers can double up for coffin duties. As usual Aussies are lagging behind overseas leaders so for local inspiration:3 points
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3 points
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3 points
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3 points
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Now THAT is a collection. If I had that collection the pets and kids will be sleeping in the garage. ?3 points
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I was there for the 2016 Mofo and saw Chelsea Wolfe at the Odeon Theatre. My lord, I didn’t think it were possible for such bass to be created! Wickedly awesome gig. Both visits I’ve made a point of seeing the Tasmanian Symphony Orchestra and it’s always a highlight.3 points
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3 points
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I’m counting 7 pairs presently and that doesn’t come close to my worst... !3 points
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Back to the fold after recent expeditions... This was kindly gifted to me amongst other things by @pjohn an absolute gentleman.3 points
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3 points
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I was just there last week also, hymns to the dead (Batushka my God...) and electric wizard, plus some other bits and pieces, a tiny amount of beer and whiskey...3 points
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Item: Bowers & Wilkins 802 D2 Diamond Series in Rose Nut Location: Len Wallis Audio HQ, 64 Burns Bay Road Lane Cove, NSW 2066 Price: $12000 Item Condition: Excellent Secondhand Condition. Payment Method: Cash, Paypal, Credit cards, Bank Transfer Delivery: As always we can arrange deliver for anywhere in Australia, the cost to do so is an extra charge that we will quote on based on your location and the size of the item. Extra Info: These just traded 802 D2's finished in Rosenut are in simply excellent condition. These Speakers where sold by us as brand new 2013 and have a one owner history with their accessories kit intact. Full Description: Three-way, floor-standing, reflex-loaded loudspeaker. Drive-units: 1" diamond-dome tweeter, 6" Kevlar FST-cone midrange unit, two 8" Rohacell-cone woofers. Crossover frequencies: 350Hz, 4kHz. Frequency response: 34Hz–28kHz, ±3dB, on axis (–6dB at 27Hz and 33kHz). Dispersion within 2dB of reference response: ±60° horizontal, ±10° vertical. Impedance: 8 ohms nominal, 3.5 ohms minimum. Sensitivity: 90dB/2.83V/m. Harmonic distortion (second and third harmonics, 90dB/m): <1% (40Hz–100kHz), <0.5% (70Hz–100kHz). Recommended amplification: 50–500W. Dimensions: 1138mm High by 363mm Wide by 565mm Deep. Weight, each: 80kg (unpacked) Finish: Rosenut-veneer with leather accents, woofer enclosure, lacquered Marlan (synthetic mineral-filled resin) mid and HF enclosures.\ Pictures:2 points
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Currently floating through an all analogue experience of bliss. The hype is well deserved, this is outstanding.2 points
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Topping D30 is $155 and takes optical in and should perform very well. https://www.amazon.com.au/TOPPING-D30-Decoder-Coaxial-Optical/dp/B06XKS9W8T/2 points
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2 points
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Ha what a fun thread I just got a pair of Rogers LS/2’s for 150 bucks on ebay. Total impulse buy. Now I am on my way2 points
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2 points
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2 points
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2 points
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2 points
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2 points
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2 points
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Nice amp, although the strategy of a price increase may be a novel approach to getting a sale.2 points
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All of that, plus pronouncing dance correctly and mentioning the phrase "free settlers" frequently when conversing with interstate types2 points
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We have a couple of members that are involved in the TSO. Also some retired performers. Incredible dedication.2 points
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We head back to Somerset tomorrow and 28c for a few days - the heat here is different to the heat in Perth. 24c here and the sun has a real sting in it. Had a nice lunch in Charlestown and then Went to Mevagissey for the start of feast week.2 points
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2 points
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Finally had a chance to listen to some albums I picked up last year. I bought this compilation because it had some New York Contemporary 5 and some Paul Bley tracks, but the revelation for me was Cleve (Robert) Pozar. I'd never heard of Pozar but he is a percussionist who worked with Bill Dixon & Dolphy etc. One tune that absolutely knocked me sideways was a lovely Jimmy Garrison tune called Sweet Little Maia. Pozar doesn't play on this but the combination of Garrison on bass & Kathy Norris on cello is a beautiful thing. It's off a Savoy album called ' Good Golly Miss Nancy (Savoy, 1967) '. Robert Pozar Sweet Little Maia Bass, Composed By – Jimmy Garrison Cello – Kathy Norris Producer – Bill Dixon2 points
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Walton*, Stravinsky*, Kyung-Wha Chung, André Previn, London Symphony Orchestra* – Walton • Violin Concerto / Stravinsky • Violin Concerto In D. Decca, SXL 6601 UK 1973.2 points
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Today we did Fowey, another bustling costal town with active harbour. Busy but not as crazy as St Ives.2 points
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