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JBL 4350S Studio Monitors For Sale


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Item: JBL 4350A Studio 4 way bi-amp speaker monitors
Location: Auckland New Zealand
Price: Current international prices range from about $10,000USD - $20,000USD - looking for $12,500.00 NZD ono  - plus shipping charged at calculated cost 
Item Condition: Good vintage - all drivers are good working condition with all bass driver surrounds replaced professionally approximately 2 years ago.
Reason for selling: Considering a change
Payment Method: Pickup - Cash, Paypal + 3% Cash into Kiwibank account.
Extra Info: These are outstanding speakers. The biggest & some would say the best studio monitor JBL ever made. In perfect original working condition there is much that could be done to make them a super-monitor. They are rare with only ever less than 10 pairs available internationally. Though they are large they are for studio monitoring & sound great even in mid field listening position. JBL active crossover included 

 

Grab a rare chance to own the mac-daddy JBL Studio Monitor. 

 

Taken from the 20K USD Ebay ad

 

The Ultimate Studio Loudspeaker Original JBL Model 4350 Studio Monitor.

 

The JBL 4350 is a four-way system designed for bi-amplification. It achieves smooth reproduction within 3 db from 30Hz to 20 kHz with controlled high frequency dispersion and exceptional transient performance. These Studio monitors are capable of wide dynamic range with low distortion and of the high acoustic output required for precise reproduction of the original sounds.

Bi-amplification

The two low frequency loudspeakers are driven independently of the other components in the system. This allows the utilization of two moderately powered amplifiers rather than a single large model lessen the possibility of distortion, even at high volume levels.

Low Frequency Loudspeakers

Two 15 inch (380 mm) low frequency loudspeakers are mounted in in a ported enclosure that provide accurate reproduction and high power handling capacity at very low frequencies. Each loudspeaker is driven by a 4 inch (100 mm) diameter voice coil, fabricated of edgewound copper ribbon wire and an 18 5/8 lb (8.5 kg) magnetic assembly with a flux density of 12,000 gauss  (1.2 T).

Midrange Loudspeaker

Music fundamentals lying in the region between 250 Hz and 1.1 kHz are reproduced by a 12 inch (300mm) loudspeaker housed in a sealed sub-chamber and driven by a 4 inch (100 mm) edgewound copper ribbon voice coil. The driver achieves high acoustic efficiency and effortless reproduction even at extreme volume levels. 

High Frequency Compression Driver

Reproduction from 1.1 to 9 kHz is accomplished by a massive compression driver energized by a magnetic assembly weighing 23.75 lb (11 kg). Its 4 inch (100 mm) edgewound aluminum ribbon voice coil suspended in a magnetic field of 18.000 gauss (1.8 T) drives a diaphragm pneumatically drawn to shape 0.003 inch (0.08 mm) aluminum alloy.

Horn/Lens Assembly

High frequency output is distributed by an exponential horn combined with a slant plate acoustic lens. The 11 plates of the lens is set an angle of 38 degrees and operates in a manner analogous to a divergent optical lens. The lens provides controlled propagation of high frequency acoustic energy.

Ultra-High Frequency Transducer

The highest octave of the audio spectrum is reproduced by a compression driver specifically designed for ultra-high frequency reproduction and dispersion. Its 3.25 lb (1.5 kg) magnetic assembly develops a flux density of 16,500 gauss (1.65 T) and drives a 1.75 inch (45 mm) edgewound aluminum ribbon voice coil. The driver utilizes a ring diaphragm pneumatically formed of 0.0022 inches (0.06 mm) in anodized aluminum foil stock. Output is directed through a diffraction horn providing 90 degree dispersion in the plane perpendicular to the diffraction slot while restricting dispersion in  the vertical  plane to approximately 40 degree. The maintains smooth response within 3db to 20 kHz.

Frequency Dividing Network

The low frequency loudspeaker operates to 250 Hz and require an attenuation rate of 12 db per octave below and above the crossover frequency. Transition may be accomplished with Electronic Frequency Dividing Network or with several electronic crossovers or filtering devices commercially available.

Enclosures

Components of the 4350 are housed in a rigid enclosure incorporating two acoustic chambers. The two low frequency loudspeaker are housed in a bass reflex chamber which has an internal volume of 9.5 ft (265 liters). Proper loading to 25 Hz is accomplished by a distributed port consisting of 6 openings. The midrange loudspeaker is mounted in a second sealed sub chamber.

Specification

Maximum power Input

     Below 250 Hz                                             200 watts continuous sine wave at 4 ohm

     Above 250 Hz                                             100 watts continuous sine wave at 8 ohm

                                                                                                                                         

Nominal Impedance 

     Below 250 Hz                                             4 ohm 

     Above 250 Hz                                             8 ohm

                                                                                                                                                   

 Power output                                                  110 db SPL pink noise measured at 10 ft (3 m) in a room volume of 2000 ft (57 m) with ½ rated power

                                                                         input (-3 db)

                                                                         126 db SPL approximate program peak output measured a 10 ft (3 m)  with ½ rated power input (average)

                                                                                                                                                  

Frequency Response

  Sine wave, on-axis                                        30 Hz – 20 kHz, -3 db 1/3 – octave band -3 db at 31.5 Hz, +2 db at 1 kHz (500Hz reference)                                         +2 db at 16.5 kHz

                                                                                                                                                   

Polar Response                                                No less than -3 db at 60 degree horizontal and 30 degree vertical to 12 kHz

                                                                                                                                                  

Distortion

½ power, 108 db SPL  1% or less third harmonic from 10 ft (3 m) 35 Hz to 1.2 kHz single frequency 3% or less third harmonic from 1.2 to 5 kHz

 

Crossover Frequency

     Low                                                             250 Hz electronic, 12db/octave

     Mid                                                              1.1 kHz

     High                                                             9 kHz

                                                                                                                                                   

Finish                                                                 Verneered oiled walnut

                                                                                                                                                                     

Enclosure Volume                                             

  Low Frequency                                                9.5 x 9.5 ft (265 litres)

  High frequency                                                1.6 x 1.6 x 1.6 ft (45 litres)         

                                                                                                                                                     

Net Weight                                                          260 lb (118 kg)

Shipping Weight                                                 303 lb (138 kg)

                                                                                                                                                     

 

http://www.jblpro.com/pub/obsolete/4350b.pdf

Edited June 24, 2015 by Beeman
skies2clear, Ozcall, Muon and 2 others like this

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Edited by Beeman
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1 hour ago, jowls said:

Epic monitors. WAF may pose a problem though...

 

GLWS!

No, WAF may not pose a problem, it will pose a gigantic problem:D

Magneficient beasts, GLWTS.

Can't stop myself asking what's good after having these?

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2 hours ago, Tubularbells said:

Anyone want to buy a pair of 4435's so I can trade up?

 

....On second thoughts these wouldn't even fit in my room so have to reluctantly leave these for someone else.

 

 

Time to trade the church in for a cathedral?

Edited by houdinifangs
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12 hours ago, houdinifangs said:

Time to trade the church in for a cathedral?

 

yes to hear a symphony through these speakers at full flight is an emotional experience worthy of a cathedral. Likewise Deep Purple Highway Star will rip the roof off. Many DJ's have loved them. They are studio monitors & will play the sweetest ensemble or the most violent punk without reservation ;-)  

 

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